mechanisms industries re-emerges from the tape studio to welcome the return of hunt patterns with 3 tracks of pure dark, gritty analog techno. lots of mechanical sequences for maximum peak time dance floor performance.
pressing on solid white vinyl.

2017 reissue - following his recent studio album with afrobeat academy, >love and death<, his first international release, ghanaian highlife guitar legend ebo taylor teams up again with strut for a long overdue definitive compilation of his seminal 1970s recordings, >life stories<.
tracks include the anthemic >heaven<, sampled by usher on his hit with ludacris, >she dont know, the original version of the poignant >love and death< and the rare 15-minute nugget, >aba yaa<. the package features rare photos, original album artwork and sleeve notes by soundway records miles cleret.

“a safe place to be naked” is s. fidelity’s debut album, which will be released on may 5th via jakarta records. it features 12 tracks, capturing the producer’s quest for a fresh sound, which he elaborated over the last two years, locked in his tiny basement studio in berlin. evolving from there the he has also released an ep with feelin music in 2014, and “sidekicks”, a joint project with long-term friend and collaborator bluestaeb in 2016. by working with artists like tru thoughts singer harleighblu and label mate juju rogers as well as fellow producers bluestaeb and shuffle jack, his lp “a safe place to be naked” plays with sampled vocals and even his own voice – often distorted, but still present. s. fidelity was born in st. gallen, switzerland, mainly works in berlin and currently resides in london. as a producer he developed a unique and always driving sound, combining sampling techniques and classic beat making with unusual drum patterns, modern synth and atmospheric sound effects. s. fidelity’s laid-back eclecticism is marked by a deep knowledge and fascination for pop culture as a whole. his idea of fresh hiphop references to various genres, including jazz, ambient, disco and electronica. the lp contains an a2 poster & download code.

first pressing of 1000 copies. mike lundy, lemuria, aura. this trifecta of inimitable hawaiian acts descended upon honolulu’s state-of-the-art broad recording studio in late 1979 to create what have now become the most coveted hawaiian funk/soul/jazz albums of the era. but whereas lemuria functioned as a short-lived studio band and mike lundy saw little success from his album’s release, aura - comprised of eight siblings from the mendoza family - remained a key figure in the nightlife scene of hawaii of the 1970s and early 1980s. each tune on their 1979 lp showcases the band’s unmatched musical talent that continues to astonish listeners in the 21st century.

multi talented uk jazz pianist greg foat has teamed up with mercury award nominated the bees member and multi instrumentalist warren hampshire to collaborate on a new lp drawing on their diverse musical influences. classic british library music, 60s italian soundtracks & lost americana combined with touches of modern classical, minimalism, jazz and folk. featuring many members of greg and warren s previous bands and one of the u.ks finest jazz drummers, clark tracy, the lp also features an edinburgh orchestra and soloists hand picked and scored by the boys. recorded all analogue onto 2-multitrack in edinburgh, mixed down by mattias glava at his studio in gothenburg, sweden then mastered and cut in helsinki, finland, it s truly a european affair flying in the face of the brexit nightmare. release june 2017

the fourth studio album from enigmatic pop impresario sia illuminates the playful, yet sophisticated spirit of an emerging force in pop music. originally released in 2008, it’s now available for the first time on vinyl. the double lp is housed in a gatefold sleeve with artwork faithfully adapted from the original release.

lemmy ashton made quite a splash with his first outing on his own tnc label last year, and now hes back to follow up with another salvo of premium heaters geared towards disco friendly dancers. there s a chunky, looped up quality to silver suitcase with its insistent bass lick and slamming drums, but there s equal space for soul thanks to the string-loaded sample hook. by way of contrast lunaire fires up the acid flare and heads straight into a babbling brook of 303-related goodness. amsterdam rounds the ep off on a stomp, whipping up the kind of bombastic disco drama that would get studio 54 moving were it in action today

cynosure presents the fifth installment in the focal point compilation series. this time with a focus on various studio collaborations with mike shannon, featuring recorded sessions from mathew jonson to ricardo villalobos. a diverse selection of works ranging from a smooth 100 bpm house with the mole & hreno to a rolling deep techno at 127bpm with matt & mark thibideau. mike pulls a few gems out of the recording vault to share on a stunning triple vinyl gatefold package.

wild is the most complete musical work by nuage up to date. following a thought-out plan from beginning to finish, with a real introduction, development, and conclusion, the album is influenced foremost by the sun, sea and tropics. the music slowly evolves from warm and uplifting songs towards colder and more mysterious realms. . taking a full year to finish the album, including the entire change of season from summer to winter, memories of trips to mexico, the mountains, and the seaside fade away and are replaced by days at home and in the studio in cold st. petersburg. at the same time the music itself goes through a very personal development from outgoing moments to parts of personal reflection. without adding too much weight or philosophy to the music, the album is an easy and natural listening experience that explores contrasting and at times contradicting themes between summer and winter, cold and warm, introverted and extroverted and many layers in between, while also harmonizing the musical past, present and future of nuage.

hardworking families return in time for the summer with some raw house and techno, a step up in tempo from the recent cosmic dub cassette promo. three tracks of deep grooves and a glimmering ambient reprise. straight from their south london studio to your turntable...don’t sleep on this one.

another picture has the honour to welcome dj honesty to the labels crew! the berlin mainstay keeps on delivering for two decades and counting. now residing in sunny and meanwhile ultra-lively spot lissabon/portugal he shows up with two pieces of pure electronic groove with a dubby technoid flavour. studio knowledge at work! usually known for positive vibes with a still abstract feel now dj honesty reveals a darker shade of experience. get involved with a tougher edge and face some deeper emotion and sonic consequence - see you on todays dancefloors.. dj honestys releases come as various projects and collaborations: honesty, honeydrop, slope (with daniel paul) and suparaw (with woody) on such labels as cabinet, sonar kollektiv and quality vibe to name a few. he is part of the touring cab drivers live crew. dont miss!

sergio sp has created a diverse selection of tracks to offer up as the debut release on canadian imprint, slivers. since his relocation to the ever growing center of toronto, sergio has been focused on building a sound that connects his previous habits and passions with newly acquired skills and findings from his new home city. loosely named and curated through findings in and around his new studio space, this ep marks the beginning of a new chapter in his production career. vital sales points: this 12inch is packed with a mood for every situation, reaching from hard hitting dance floor tracks to late night vibe compliments and many zones in between. sergio is currently working on a split ep with one of edmontons finest up and comers fraser. the release is set for physical production on a heavy weight deep groove 12inch forthcoming on heart to heart records.

hosh aka holger behn, der sich nach intensivem touring eine pause gönnte und fast den ganzen winter im studio verbrachte, meldet sich rechtzeitig zum frühjahr mit seinem ersten release 2017 zurück. die neue ep besteht aus dem treibenden titeltrack -karma-, einer ethno-techno-hymne vor dem herrn, und dem träumerischen deep-house-tune -nostalgia- auf der flipside.

musically and emotionally, superpitcher’s third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally. and full-length it is: the golden ravedays is an epic album of 24 tracks that was released in january 2017 and is stretching over 12 respective chapter albums during a one-year period.

a newborn imprint with an obscure name makes the perfect home for kozo to showcase some of his studio work under the ooodjkoz alter ego.
uncle tom’s tune needs all its 13 minutes to develop, with the melodic pattern fading in and out the wobbly baseline, like hiding from the sci fi sounds scattered throughout the track. crafted to please crowds that enjoy to be cooked slowly, milly van illy takes it to a more dynamic pace, stiching the groove beneath the percussions and storing all the energy into the hi hats. as for lady gargara, we’re gratified with a twisted cocktail of chopped voices stuttering on broken drum loops.
uncommon as it may sound, drag and drob ep is here to add some spice to your record collection.

flying was the italo disco project of marzio benelli and andrea venturoli from firenze, italy. marzio specialized in sound engineering at various recording studios in milan throughout the early 1980s. he opened emme studio where we worked with major national and international artists as claudio baglioni, renato zero, venditti, marco masini, pieces, mia martini, litfiba, mick ronson. in 1984 he met andrea, a sound programmer who knew his way around analog synthesizers. their first collaboration was that same year on the song

mike lundy was born and raised in nu‘unau, on the island of oahu in hawaii. from an early age, lundy s original compositions caught the coveted attention of herb ono, the legendary owner of honolulu s sounds of hawaii recording studio. in 1980, lundy recorded a solo lp entitled the rhythm of life. unfortunately, he spent so much money on production that nothing was left for promotion. it went nowhere upon release.

limitiert und remastered: fünf nachpressungen vergriffener studio one bestseller.

fink veröffentlicht ein minimalistisches blues album auf seinem eigenen imprint r’coup’d! um die wartezeit auf das nächste -reguläre- fink-studioalbum zu verkürzen, veröffentlicht fink im märz -fink’s sunday night blues club, vol. 1- auf seinem eigenem ninja tune-sublabel r coup d. dies ist die erste, reine blues-veröffentlichung von fin greenall. produziert und gemischt wurde das album von fink und flood (u2, pj harvey, warpaint), aufgenommen in greenalls studio in berlin. jeder song wurde dabei in kurzer zeit live mit einem vintage-mikrofon und -verstärker aufgenommen. manchmal braucht es eben einfach nicht mehr. greenall sagt darüber: -most of this record is one take, from all of the guys who helped me get there ... new orleans legend david shirley on drums and the weird and wonderful colin stetson also really brought the heat to the table. -my love of blues has always been there, before i even knew what it was. records by john lee hooker, t-bone walker and chuck berry really spoke to me. for two springs, in 2015 and 2016, i immersed myself in the blues, scouring record stores whilst on tour to inspire and educate myself ... to do something raw, rough, and live, a record that just was, for its own sake. you d think that writing blues was easy - but it isn t ... it s easy to copy, sure, and to cover, definitely, but to write original blues that is more than just a photocopy of the past actually turned out to be equally challenging and natural...- - fink

limited edition 3x12 inch lp collectors set - features the original 1972 stereo album plus previously unreleased mono mix and studio out-takes from 2” tapes. official reiisue featuring new interview with mulatu astatke. mixed and remastered by the carvery, pressed by pallas.

michael mayer. credited by many as one of the leading tastemakers in dance music, his dj sets have influenced a generation (or two) of musicians and fans out there today. an artist that has never allowed time or age to slow him down – michael mayer remains tirelessly motivated behind the dj decks, in the studio or behind his desk at kompakt, the company he co-owns and is up next on k7’s long running dj-kicks series.
double 12 inch vinyl in gatefold sleeve with download code included.

brand new 2017 recut finally available on vinyl for the first time. 2xlp+mp3 in full original coverart. the legendary movie soundstrack based out of kingston, jamaica in april 2008, telling the story of the original vocalists and musicians involved. the sixteenth release on the moll-selekta label shares its title with a wonderful film, a heartwarming homage to the golden age of rocksteady. it documents the recordings being made for this very album at the tuff gong studios, kingston, jamaica in april 2008, telling the story of the original vocalists and musicians involved. excerpts from an all star reunion concert staged in kingston and older archive material complete the picture. never before in the history of jamaica, which already occupies a unique place on the world map of song, its sound embraced by western popular music, has such an illustrious collection of singers and players been assembled. the album showcases 15 rocksteady classics in sparkling, deeply inspired new versions, recorded in the studio which also played host to album sessions of a certain bob marley. under the musical direction of ernest ranglin, a guitarist of considerable renown not only on the reggae circuit, but also on the jazz scene, mixed by legendary engineer errol brown in duke reids employ at the treasure isle studio in the sixties - and freshly arranged by lynn taitt

after studying dance, kirikoo des aka nsdos, felt the need to create his own sound in order to explore movement. this is how he started imagining a whole new sonic order, an alternative approach to music – through abstraction. nsdos can’t restrain himself to existing technological tools and softwares, he prefers creating his own mediums: futurist instruments made of old audio converters (carte son), gameboy emulators, pieces of metal dismantled and weld together giving form to surreal machines. surrounded by his hybrid tools, nsdos unravels the rectilinear anatomy of techno music. textures are exploded, sounds mutilated, and brought back to their essence. this sonic odyssey, nsdos initiated in his native town paris before exploring it deeper in berlin – a city that he sees as a giant laboratory in which he experimented the field of possibilities. a huge admirer of the dada and lettrism movements, nsdos can be considered as the offspring of a diy culture. he ranks among his icons artists such as christian marley, stelarc or donna haraway who gave him a desire to push the limits of the body, objects and sound. his alternative vision and the way he reinterprets technological tools have made him one of the most important techno hackers of his generation. nsdos doesn’t create, he regenerates and transmutes music. his creative path is empirical, sometimes organic as he puts sensors on insects, his public in trance, trees – everything that comes on his way – and transcribes their movement into sounds. after three maxis, lazer connect in 2013, female guest list in 2015 both signed on parisian music label clekcleckboom recordings and money exchange published in 2016 on his label standalone complex, his new album, intuition, intervenes as the completion of his organic vison of music. inspired by meteorological stations and according to a principle of « bio feedback », nsdos surveyed the movements of nature, turned into data before translating them into sounds, textures and rhythms. the album comes with a series of 5 videos detailing the creative process of the artist – from recording in the middle of nature to the studio. in intuition, nsdos splinters the boundaries between genres and places techno as a matrix. his album reveals his sense of discipline, one that he draws from his passion from japanese dance buto, as well as his interest for biology, his experimental aura through industrial, sometimes nearly metal sounds. all these elements form the essence of whole new movement, unclassifiable, of which he constantly pushes the frontiers.

fellow earthlings, cast your gaze skywards. if you’re quick, you might see earthboogie’s intergalactic cruise ship coming in to land.
while they’ve been djing around london and beyond with their custom built quod sound system for some time, the mr mystery ep marks their debut appearance on leng records. it’s the first time the fruits of their studio labours, recorded in the space they call the control room, have made it onto vinyl.

the painters ep is a companion release to the band’s 10th studio album painting with. the ep contains three new original tracks recorded during the painting with era, and a studio recording of “jimmy mack,” (made famous by martha & the vandellas) performed during their live sets from this era.
cut at 45rpm, comes with download code included.

ponds ungezügelte kreativität hat die band bereits in der vergangenheit die weiten des psychedelic-rocks ergründen lassen. mit dem neuen album -the weather- haben sie nun eine scharfe und fokussierte platte geschaffen, eine atemberaubende absichtserklärung, die über marathon artists (courtney barnett, jagwar ma) erscheinen wird. -the weather- bündelt einige der poppigsten momente des quartetts aus perth, welches mit der gewohnten neigung zum abstrakten und zur experimentierfreude auftritt. mit dem köstlichen duft der romantischen erwartung und der synthie-raffinesse nimmt sich der song des patentierten space-rocks der band an und suggeriert ein gefühl, als wäre er aus einer trevor horn blaupause entsprungen. wie der vorgänger wurde auch -the weather- von kevin parker (tame impala) in dessen studio in perth produziert. doch während -man, it feels like space again- einen rohen blick auf die garage-infizierte psyche ponds warf, ist -the weather- eine ehrgeizige, technicolore odyssee in der entwicklung der band.
die vinyl-lp erscheint inklusive downloadcode.

her intimate knowledge of techno (particularly the raw and uncompromising variety designed by the likes of jeff mills, mike banks, joey beltram and her collaborative partners surgeon and regis) has taken her to the studio, where she now provides stroboscopic artefacts with a 4-track contribution to this ongoing legacy of ecstasy.

ltd epress , expectations is an extended player from minimalist disco outfit harvey sutherland and bermuda. the second release for sutherlands own clarity recordings brings his bermuda project into sharp focus - six tracks spanning harveys influences from the west coast to west end records. recorded with bandmates graeme pogson (drums) and tamil rogeon (electric strings), expectations follows last years stomping label debut single * priestess/bravado*. the ep includes a long-awaited studio version of live favourite * clarity*, uptempo burner * coast 2 coast* and a moment of spiritual introspection with * spiders*. the title track offers glimmers of the doobies and the dan – a sign of things to come from the melbourne producer and his unique trio.

pavel ludin returns to poker flat wax with a gripping four-tracker showcasing his myriad of talents. born and raised in eastern siberia, pavel iudin found his way to the underground scenes of moscow and saint petersburg where he firmly established his credentials. the probe ep finds him at the height of his powers, serving up some serious burners. ‘probe 2&#8242,,,, is a throbbing, deep roller with shimmering synths and a shuffling, evolving groove - one for keeping the floor on lock whatever the situation. ‘halo’ has more classic feel to it, clearly a nod to the chicago masters of the 90s, but maintaining a tough and fresh feel that is all ludin’s own. half way though, things really open up into thick, swingy vibe via a killer bassline and snappy percussion. ‘probe 3&#8242,,,, is more acidic outing - although never resorting to the iconic 303, the track is a lysergic journey into dubbed out tech-house. closing out the ep is ‘groundlevel’ - a driving, loopy groover that uses ludin’s feel for atmosphere and tension to the max. the whole ep exudes a steely-eyed mastery of the studio and the dance floor - making pavel iudin one to watch over the next months.

there arent many artists that can lay claim to having put out records on labels as divergent as rough trade and john talabot’s hivern discs. perhaps this is because few artists express such genuine diversity in their musical tastes and creative explorations as david kitt. since the turn of the decade as new jackson he has mined a seam of driving, ghostly house to run parallel with his solo strand of ambient folk electronica. his debut release in 2011 the night mail on pogo channeled early record collection heroes aphex twin and orbital through to drexciya and projekt pm but had one foot firmly in the 21st century beaming in like some futuristic cyberballad. on the flip side hussle free had that mix of house and boogie sensibilities with dark and dusty synths and vocoder that would become a signature. this was followed by acclaimed releases on hivern, permanent vacation, major problems, apartment and most recently cin cin. his debut album set for release on all city in may was recorded in kitt’s bedroom studio overlooking dublin bay, its nocturnal hues very much a product of the nightshift often working on headphones with the rest of his housemates fast asleep. it takes full advantage of the scope of the lp format, ebbing and flowing between deep house club ready gems and more restrained and meditative beatless moments for the morning after. the recording process yielded many eureka moments with kitt finally nailing sounds that had hitherto proved elusive. a key moment was getting a bank loan to buy an sp 1200 sampler

asa moto are oli and gilles. they first arrived on deewee with the stay awake / wanowan efem double header. they are back with a new e.p produced alongside dave and stephen dewaele. system nature utilises old school stabs in a modern fashion over slow-mo sound, make me prada brings large sound melody, athina is off-key funk and syriacid is modern in a classic fashion. voice. acid. house. funk. asa. moto. sleeve design by ill studio, paris.

after the great last sbth record the guys are back again on their own platform lossless. modern house music stuffed with a classical c2 touch and a very singular personal note. named after the location of their studio in berlin, it irreproachably captures the nature of our city and their new surroundings.

dj/producer from merseyside uk, john heckle has produced records for mathematics recordings, tabernacle records, crème organization, lunar disko and more. his releases include two full length studio albums, the second son and desolate figures (as well as the last magic maker mini-album), plus multiple singles, remixes and eps. life on titan, his debut for mathematics, picked up a qwartz electronic music award.

bonnie prince billy aka will oldham veröffentlicht mit “best troubador” eine hommage an einen seiner ewigen helden, country- und folk-ikone merle haggard. das werk von haggard begleitet bonnie prince billy nun schon seit mindestens 25 jahren. so coverte er nicht nur bei seinem ersten öffentlichen auftritt einen haggard-song. auch in den folgenden jahre seiner karriere bezog sich oldham immer wieder auf das werk und wirken haggards. das vorhaben, das nun im mai erscheinende album aufzunehmen, begleitete oldham schon eine ganze weile. das ziel war es, an der uralten tradition teilzuhaben, folk-songs an die nächste generation weiterzutragen. fast legte oldham das projekt auf eis, als er im april 2016 vom tod merle haggards erfuhr. statt in einem studio in nashville aufzunehmen, zogen sich oldham und seine mitmusiker zugunsten einer familiären aufnahme-atmosphäre in ein heimstudio zurück. so wurde dem andenken haggards werk durch besondere wärme und intimität würdevoller tribut gezollt.
die songs auf “best troubador” stammen aus allen schaffensphasen haggards. angefangen bei seinem 1967er album “i am a lonesome fugitive” bis hin zu seinem 47. album von 2011, “working in tennessee”, ist es allerdings kein simples best-of geworden, stattdessen kuratierte oldham die songauswahl entlang seiner persönlichen favoriten aus merles katalog.
schwarze 180 gramm doppel-lp in wide-spine sleeve inklusive insert und mp3-downloadkarte + zwei vinyl only bonustracks.

audiosapr is one of the most consistent albums you’re likely to come across in russia’s gost zvuk entire back catalogue. surprisingly, the full-length by saint petersburg’s scene veteran kuzma palkin is a compilation of random jams and studio recordings he made in the period of 2014-2015, carefully pieced together by label’s masterminds. sapr stands for the system of automatic projection (a russian term for computer-aided design, cad) which defines the album’s experimental yet complex and interlocking heart. based around a central theme of immediacy and spontaneity, audiosapr builds upon the foundations of early, pre-detroit era of electro and techno, and then progresses the wispy entrails of analogue gear in a contemporary dancefloor direction. it’s clearly music that can be attributed as hybrid, however it’s not you re going to think about while listening to “audiosapr”, palkin’s definitely most inspiring work to date.

debut ep for loop exposure on zora. both atmosphere and energy are present in these first four tracks from fresh duo loop exposure. cinematic vocals melt with heavy grooves to provide serious dance floor killer suited for any club environment.

paris player le loup and pura launch their new label shadow play with a four-track collection of avant-garde house music delivered boxfresh from the studio. as a solo artist, and one half of hold youth, le loup has cultivated a nuanced sound that is steeped in soulful jazzy influences, with a nod to the future and plenty of soul. on this first ep we’re presented with a showcase of this sound, and a hint at what’s to come on the brand new label… to get things rolling we have the very first track ‘the ancient ways’, which is quite laid back and minimal in its composition. there’s breathing space for the beats and bass, with an eerie atmosphere pervading throughout. ‘ygam’ is next up with a wobbly bassline, cosmic death rays and sinister effects lurking in the background - it feels like the soundtrack to a deep space thriller. on the b-side things get ravey with ‘acid surface’. retro breakbeats and stuttered toms support a dangerously alluring symphony of effects and pads. at the heart of the track is a deep subby bassline, transmitting an ancient, yet cosmic vibe.

the trap – dom & roland the only -dat- master copy of this track was lost 20 years ago in 1997 somewhere between dom s studio and music house in holloway road. dom has been searching for this holy grail of -amen choppage- since, the only reference to it a crusty recording of a grooverider show from 1998. at various points there have been glimmers of hope of the wearabouts of the track in its entirety, with much excitement from avid followers who have given -the trap- a status akin to a cult classic film. many years, rifled sheds, boxes and lofts later, the breakthrough everyone is waiting for happens. it is christmas 2016 and a subversive character from australia sends in the full original quality version, recorded from dat tape, to dom & roland productions hq. after a full going over in dom’s lab and a wonderful new mastering job by beau at 1087 the amen legend known only as -the trap- is ready to be unleashed. swarm – dom & roland depending on who you ask the dubplate of this track from 1996 was called dark skies or the swarm. one of the first tracks to feature dom s reworked alternating clean and distorted -flow break- which later went on to become a layer in dom s famous -tramen- break. swarm features the switch from light to dark dom has become famous for. featuring one of the largest mentasm basses ever cut on a record alongside the -subway- thump bass that dom later used when producing the -ed rush hit record- of the same name. it has remained an exclusive gem in dom s vaults until now. originally only cut on plate by the a list of metalheadz blue note, this blueprint of bass is finally seeing a release this year. dj play: aphex twin, amon tobin, fabio, grooverider, peshay, loxi, andy c, break, fierce, doc scott, dbridge, goldie, ant tc1, gridlok, marcus intalex, sb81, ulterior motive, noisia

after his mcde supported track my people detroit native dwayne jensen delivers a one sided disco infused bomb inspired by the dancefloors of studio 54 as depicted on the picture disc & insert. original photograph by hasse persson, studio 54, max stom publishing. 12inch one sided release silk screen picture disc with insert.

vitalik continue their vinyl gold series with another gold standard release. for the forthcoming vitnyl003 clive henry drops a fifteen minute long opus on a single sided limited edition vinyl. my fifteen minutes of fame is contrastingly raw in it s production and sublime in composition. it s gentle meandering melodies float over a warm bed of muted pads and analogue bass. recorded as a live jam and stripped down to its constituent parts its melodies take centre stage, enthralling the listener into what can be best described as an acid house lullaby and what has already been penned as an instant balearic classic. my fifteen minutes of fame was engineered by rui da silva and is the former peace division front man s first solo release since his illustrious studio partnership with justin drake, he joins artists such as jimmy edgar, the mole, franklin de costa and anonym on the vinyl only vitalik offshoot.

any disco dj worth their weight in vinyl knows the name donnell pitman, and until now this has been mostly due to his highly sought after work of the late 70s and early 80s. renewed interest in donnell has reached critical peak over the past few years, fueled by red greg’s feature of donnell’s seminal “love explosion” on joey negro’s under the influence vinyl compilation series and chicago’s numero group putting out long forgotten, unreleased boogie bangers “burning up” and “taste of honey” in 2015.
it was this refreshed enthusiasm that caught the attention of producer kumar mcmillian of chicago-based disco ensemble wings of sunshine. kumar’s group was looking for another vocal collaborator following their 7” debut release on star creature records. a casual introduction led to an informal studio session between the two culminating in a modern disco masterpiece.

exhibiting a solid background as a mastering engineer, inner lakes has spent quite some years locked in his studio (located between two of the biggest internal lakes in the north of italy), to perfect his vast experimental sound. the use of modular synths, modified machines and sequencers is prevalent throughout his work. defined in his own words as a -contemporary dj tool- the forthcoming four tracker debut ep is set to be released via vae victis records. the record is far from just a tool with multilayered textures encompassed in dreamy soundscapes and a heavy driving energy throughout. his perfection in his work and passion for all things sound are a major catalyst for his sets. a mixture of unreleased material, futuristic sounds and hard hitting classics is what you can expect.

grammy winning nyc disco and house legend louie vega has decades upon decades in the recording studio and dj game under his belt and having played endless gigs all over the world during that time it s safe to say the original he knows exactly what he s doing when it comes to this music thing! pair louie with the legendary king street sounds label and you re having a party! this is exactly what happened in 2007 when the label asked him to contribute to their legendary mix the vibe series where top flight selectors like louie get to dig deep and produce a fresh dj mix for the label. now, you know the quality control is going to be sky-high on a project like this and this limited dj sampler featuring tracks from the compilation proves just that! featuring tracks and exclusive mixes from the likes of kerri chandler, blaze and some of louie s own productions this ep more than deserves a place on your record shelf or in your dj bag! all featured tracks have been fully licensed from king street, remastered and reissued with %100 involvement from the label. essential house music for the seasoned heads and neophytes alike!

this june session victim return to delusions of grandeur imprint with their third studio album.listen to your heartis the result of a year of cross-continental scripting, started in their hamburg studio and wrapped up stateside in san francisco’s room g studios where the duo had worked on their 2014 lpsee you when you get there. here we present the first of three lp samplers containing four tracks each, cut nice and loud for the vinyl crew. bring it back gets things rolling with session victim’s trademark live drum breaks, looped up pads and hooky vocal samples. only good vibes here, with uplifting keys bringing a warm and soulful edge whilst shimmering juno notes add a floaty element to get lost in. next up we have if we can make it here, the title being something of an in-joke with the boys when they find themselves in the more remote or far-flung corners of the world performing their music to an appreciating crowd. the track is based around a simple yet beautiful 4-bar chord progression repeating throughout and shows svm in a playful and jazzy mood, managing to include soloing flute and marching snare drum rhythms without as much of a flinch!moons and flowers is up next, another sublime slice of hazy house music with a wonderful organic and live sound palette. echoing rhodes licks join dubby synth fx, adding waves of colour whilst the gentle vocal provides the icing on the space-cake. lastly we have the hatch, which winds things down somewhat for a lovely, somewhat stoned interlude track which is over all too soon. an impeccable demonstration of retro-inspired yet forward thinking house,listen to your heartsees session victim at the top of their game.

the north east of england is known for its role in helping to shape the uk house and techno club landscape during the late 80 s and throughout 90 s. it’s infectious and raw energy engaged slip-d from a young age exposing him to a number of venues including the riverside, empire, pleasure rooms and the hedonistic rockshots. drawing inspiration from the scene along with potent labels like svek, guidance and shaboom that came in to prominence in the late 90 s, a bedroom studio set up of amassed hardware funded on a basic income was then formed over time. residence in teesdale avenue, regular local car thefts and the wail of the rag and bone man all assembled themselves as a formula of what was happening outside the 4 walls of the studio. the vaulted hypnoelectronix no.1 finally got pressed after some years, and transports us to the true crux of that era. more material to follow in 2017 on the hpnx imprint...

der soundtrack zur mit spannung erwarteten doku von jim jarmusch über the stooges mit albumtracks, outtakes aus dem studio und mehr. das 180 gramm vinyl erscheint inklusive poster.

“cuidado madame”, arto lindsay’s first full-length album of new material since 2004’s salt. the album is titled after an infamous 1970 julio bressane film about oppressed housemaids revolting against and brutally murdering their mistresses. the literal translation is “careful, madame.”
the album is produced by lindsay. it features melvin gibbs, paul wilson, kassa overall, patrick higgins, ryu takahashi and thiago nassif.
candomblé (spiritual rhythms revolving around possession and trance) served as the foundation for the record. the process began with recordings of atabaques in brazil. lindsay wrote melodies and lyrics over the rhythms in the studio in brooklyn.
the album is an exploration of the cultural nexus of afro-brazilian spirituality and western modernity.

* mikal takes his first bow for dust audio in the form of the spirited ep . the break and bass craftsman reigns down an assault of almighty weight for the imprint which holds no barred. * off the back of his critically acclaimed wilderness album on metalheadz, mikal continues to seek out the dance floor through his precision target and locks on for a serious assault of the senses. * the ep’s title track “spirited” see’s the sinister intro build up and transform into a bass laden drop. the stepping drums and jungle infused shuffles entwine with the ghost vocal, whilst the modulated bass will move even the harshest drum n bass skeptics. unrelenting throughout. * the flip sees mikal spread his considerable studio talent over two further tunes of constant surprise. low note wastes no time in getting to the drop before you’ve had chance to take a breath. a thunderous one note bass underpins the mid ranged reece and stabs whilst the chunky drums compliment the tidy percussion nicely. a haunting vocal then sets off another 16 bars of unclouded rawness. * linear finishes the ep with aplomb. synth chords open up into what you might expect to be a lovely liquid-esque style roller… think again! mikal takes that premise and turns it upside down and inside out before bringing the dirty funk. keeping in line with the 2 tunes before, this isn’t for the faint hearted. definitely one for the drum & bass purest, who may well be dancing, but will also be taking down mental notes!

limited edition double vinyl, cut at 45rpm. housed in a gatefold sleeve with download code and sticker sheet included.
soulwax emerge with news of forthcoming musical endeavours, the soundtrack for belgica - a new film by oscar nominated director, felix van groeningen. the film sees soulwax’s influence throughout from composing, arranging and recording the original score to creating each and every one of the fictional musical artists featured. a diverse collection of songs, performed by a similarly varied set of artists has seen soulwax create what is a unique soundtrack that continues to see them evolve as one of music’s leading musical protagonists. all the music was recorded and mixed at soulwax’s new deewee studio hq in ghent, where every release is mixed and produced (and sometime written and recorded) by stephen and david dewaele.